If you look at the back of the amp V1 is on your left & V9 at the . Here's a very clean, 1966 Fender Pro Reverb Blackface Amp. You get two channels to work with and a power amp that can be switched from 50 watts to 12 watts. In 1968 Fender changed to the "silverface" control panel. The blackface Twin Reverb has less power, more breakup and a rawer tone. This is how Fender does a modern hand wired blackface amp. Salut tout le monde! 有名な1963年から1968年のSuper Reverbを忠実に再現したこの楽器は、ヴィンテージ愛好者とStratocaster®ギタースリンガーズにとって必携アイテムであり、もちろんあらゆるスタイルのプレイヤーにもこのゆらめく音を楽しんで . PDF format. Setting the bias colder (closer to 38 mA) will thin out the sound but prolong the life of the tubes. January 16, 2012 at 11:25 pm. Classic Blackface Tone. Starting with the 1960's Fender Pro Reverb amp offers a nice answer when the Deluxe's volume isn't loud enough for your application and the Super Reverb is way loud. Breakup comes on smoothly after that, and you won't be killing the folks . In the silverface amps there was Rola, Eminence, Utah, to mention some. So far I'm loving the sounds I've been getting out of it. About the Fender Pro Reverb: The Fender Pro Reverb is a high-end guitar amplifier which was in production from 1964 to 1982. US version that will require a 115V stepdown transformer to operate on 240V. The amp was purchased new by the owners Father in 1966 from a music store in Saginalw. Whereas many similar amps put out 45 to 50 watts from the same pair of tubes, the Vibrolux Reverb generates about 35 watts. Pro Reverb AA1265, AB668, AA1069, AA270 (silverface) A10000 to A10500 - 1967 A10500 to A12000 - 1968 A12000 to A13300 - 1969 A13400 to A14500 - 1970 Unique Features: Modified Pro Reverb circuitry, Lightweight cabinet and Celestion® Neo creamback reduce amp weight to under 35 pounds, reduced negative feedback for more touch sensitivity, genuine Fender tube-driven reverb and grid-bias tremolo, 1968-style silver-panel aluminum trim and silver-turquoise grille cloth, comes with vintage-style . Unique Features: Modified Pro Reverb circuitry, Lightweight cabinet and Celestion® Neo creamback reduce amp weight to under 35 pounds, reduced negative feedback for more touch sensitivity, genuine Fender tube-driven reverb and grid-bias tremolo, 1968-style silver-panel aluminum trim and silver-turquoise grille cloth, comes with vintage-style . 1978 Vintage Fender Pro Reverb - VIDEO DEMO. I love this amp! Considered "too weak" for the mid-1960s market, today they're beloved for their signature Blackface sound and breakup at much more manageable volumes than a Twin Reverb. Fender Deluxe Reverb and the Fender Super Reverb are snuggle up right in with one another. The Pro Reverb is a 40-watt tube amplifier and has a pair of 12" speakers; however, models later than 1976 were increased to 70 watts. Rear of blackface Fender Vibrolux Reverb (Image credit: Nathan Fasold/Black Book Guitars) Juicy Tones at Manageable Volume. The amps were designed for low gain low noise types. Also see our transformers and choke for the 6G15 Reverb Unit. "A Pro Reverb is basically identical to a Super Reverb except for the speakers (and faceplate)." "The Blackface Pro Reverb, model AA165, was virtually identical to the AB763 Super Reverb except for the speakers and tone stacks. Revisit™ vintage Fender® style reverb cable KIT for Twin Reverb, Pro Reverb and Vibrosonic Reverb (blackface and early silverface). Vintage 1970's Fender Pro Reverb Silverface 2-Channel 2x12" Guitar Combo. The amplifiers were naturally given traditional Fender model names, the earliest including 'Dual Showman', 'Twin Reverb', and 'Bassman'. It used one 8 ohm speaker. Der legendäre Pro Reverb ist ein begehrter Vintage Amp - ein Amp mit charakteristischem Sound, der von diversen Amp Spezialisten gerne optimiert und getunt wurde. Vintage & Pro Tube '65 Super Reverb® . Reverb Unit (Brownface) Reverb Amp: 6G15 Fender PN: 125A12A [PAM-OT-10-16R] $81.61 The Pro has a bigger output transformer for 40 watts and a 15" speaker. (Not designed for the Blackface or Silverface REISSUES. Simultaneously collectible, they're desired for their rich vintage tones and renowned as everyday workhorses that cover several sonic bases . Leeres Amp-Gehäuse für Fender Blackface Princeton Reverb Style. Setting it hotter (closer to 44 mA) will decrease the life of the tubes . The "Fender Normal Channel Reverb Mod" is the blue wire that runs from the V1B plate resistor to the V2B plate resistor (blue wire twisted with yellow plate power supply wire). The Fender Custom Vibrolux Reverb, or CVR, is a 2x10, 40 Watt all-tube combo amplifier in the tradition of Fender's most famous blackface amps. Pro AA763, AB763 (blackface) A00001 to A01700 - 1963 A01400 to A08000 - 1964 . • Convert circuit to Blackface specification (see below). If you're looking at a Blackface reverb successor, that would be the Vibroverb. On a Blackface Super Reverb, current draw should be between 38 and 44 mA. Fender started building the Pro Reverb amp in 1965, and production ran until 1982. Dimensions: (H) 6" x (W) 24-7/16" x (D) ¼" Covering: Fender Style Black This is how Fender does a modern hand wired blackface amp. The AB763 had some minor but important updates. EUR 68,21 Versand. The first is normal and has volume, treble, and bass controls with a bright switch like a Twin Reverb. Fender® Bassman TEN (50W Version) Fender® Bassman 6G6, 6G6-A, 6G6-B, AA165, AA864, AB165, AC568, AA371. 1966 Fender Pro Reverb Blackface Vintage Tube Amplifier 2x12, Serviced w/ Ftsw. Fenders are built like tanks (as are marshalls), butfter dealing with the GA-20 and a couple of Supro Thunderbolts, plus other old Harmony's, Supro's, etc., I'm tired of replacing all the cheap parts that non-Fender builders used. SOLD 1967 Fender Pro-Reverb Blackface with a 2 x 12 40 watt combo in excellent condition. The Fender Pro Reverb is a high-end guitar amplifier made by Fender.It was in production from 1965 and was discontinued in 1982. Local Pickup. Bandmaster Reverb (Silverface), Bassman 100 (Silverface), Bassman Ten, Pro (Blackface), Pro Reverb (Blackface), Pro Reverb (Silverface), Super Reverb (Blackface), Super Reverb (Silverface) 1978 Fender Pro Reverb 40 watts 2-12 combo amp Import model .universal voltage selector (see photo's) .Includes footswitch and wheels . These amps are overlooked sometimes for the tweed and brownface Pro. It addressed the need for players who needed the air movement of 2×12 inch speakers with clean power - 40 watts - that could . Amp courtesy of Steve Cole. They sound different and "newer". 1964 Fender Princeton Reverb Blackface Amplifier 1X10 Vintage Wow! Set of parts for you to make two cables (reverb input and reverb output) Short one is 39 inches (110 cm), long one is 51 inches (140 cm). Considered by some the holy grail of Fender-designed amplifiers, the Twin Reverb was an 85-watt tone machine. Back Panel for Fender Blackface Twin / Pro Reverb Amp also early Silverface. Das Gehäuse im Blackface Design für den klassischen Fender Princeton Reverb auch prima für Selbstbauprojekte. Add reverb for the Deluxe Reverb. Photos: John Maysenhoelder. 有名な1963年から1968年のSuper Reverbを忠実に再現したこの楽器は、ヴィンテージ愛好者とStratocaster®ギタースリンガーズにとって必携アイテムであり、もちろんあらゆるスタイルのプレイヤーにもこのゆらめく音を楽しんで . ), and the front panel, knobs and grille cloth are excellent. Je me lance donc très modestement dans la création du topic concernant les amplis Fender Blackface, qu'il s'agisse des modèles originaux (vintages), Rivera, reissue (rééditions) ou custom (spécialement modifiés). Fender Pro Reverb Ultra Linear modified to sound more like a Blackface.. Fender Pro Tube "Twin Amp" Service; Fender Roc Pro 1000 Repair… Fender Supersonic 60 Service; Fender Twin Reverb 1972 Serious Service.. including recap Blackfacing and Normal Channel Revoicing; Fender Twin Reverb 1977 Repair - The Blackfaced and Customised for Sale . S p o n s o r e d. Fender '68 Custom Vibrolux Reverb Amp 210 35W Tube Guitar Combo. However, models later than 1976 were increased to 70 watts. It was in production from 1965 and was discontinued in 1982. The narrow panel tweed Bassman with 4 x 10" speakers, which had morphed into the Concert Amp, had reverb added and became the Super Reverb. Cool! I too was one who's first gigging amp was a silverface 1973 Twin Reverb. Princeton Reverb AA1164 (GZ34) AA1164 (5U4GB) B1270 78-79 Vol/Boost Princeton Rev II Pro Woodie Pro 1946 5A5 5B5 5C5 5D5 5E5 5E5-A 5E5-B 5G5 6G5 6G5-A AA763 AB763 Pro Reverb AA165 AA270 AA1009 AA1069 AA1265 AB668 Ultralinear cbs 45w MstrVol cbs 70w MstrVol PS Series PS160 PS300 PS400 Quadreverb 100W 100W Master Vol. Pro Reverb AA165 (blackface) A00100 to A02700 - 1965 A02700 to A09200 - 1966 A07000 to A10200 - 1967 . Permalink. You can think of the pro reverb as the middle ground between a Deluxe Reverb and a Twin Reverb. Cosmetically, the amp is in excellent condition; no cigarette burns to the Tolex, no beer stains (to the best of my knowledge this amp has never been gigged, but has been played A LOT--by me! This includes the reverb circuit! Reply; M Karlson. $850.00. Blackface Twin Reverbs are the most coveted versions of this amp. EUR 52,86. C $3,268.71. 'Super Reverb', 'Pro Reverb', 'Vibrolux Reverb' and 'Deluxe Reverb' amplifiers followed in 1967. Fender's "blackface" amplifiers made from late 1963 through '67 have earned enduring "classic amp" status. The circuitry was altered as well: There were changes to the bias and phase inverter circuits and, most important, the output stage. 135W Ultralinear CFA7104 . 1968 was the first of the silver-face Pro Reverb amps, which were, in essence the same amp as the blackface amps I just praised! L'intérêt de ce topic est tant de parler des . Well. I'm biased because I'm so happy with my Super Reverb, but I think you really can't go wrong! Blackfacing: This term refers to the conversion of Fender Silverface (SF) amps (which were built from around 1968 to around 1980) to the more desirable Blackface (BF) circuit configuration (circa 1964 to 1967). Note the use of quiet metal film resistors except the V3 2.2k cathode resistor. Medium length for medium-sized amplifiers. Such a great tone! From now on, if I want a vintage deign, I'm building it from scratch with new parts. Fender started producing blackface AA763 amps in August '63 I believe. Here we have an uncirculated 1 owner 1966 FenderBlackface Pro-Reverb amplifier that is 100% original and comes with the original Fender cover and Reverb-Vibrato footswitch. Top Rated Seller. Höhe: 40,6cm. The first is normal and has volume, treble, and bass controls with a bright switch like a Twin Reverb. The "Fender Normal Channel Reverb Mod" is the blue wire that runs from the V1B plate resistor to the V2B plate resistor (blue wire twisted with yellow plate power supply wire). The '68 Customs have become an extremely popular amp series for guitarists who love classic Fender sounds along with toneful modifications that resonate with today's players.The '68 Custom Pro Reverb™ takes its cues from the original 40-watt model, improving its portability and tonal flexibility by reducing the cabinet size and weight, moving to a single-channel… The Blackface Fender Pro Reverb has skyrocketed in popularity over the years, though it took a while to get there. It has two channels, Normal and Bright, both with a high and low input. All original except for a capacitor upgrade. Pre-Owned. Chassis Cut-Out: 46.7cm. The AA1069 schematic shows a Mid control but it did not get installed on producion models. 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